2/13/2024 0 Comments Pure moods 2![]() Review: Soulution 330 Integrated Amplifier Twittering Machines Favorite Albums of 2023 Meet totaldac’s New Amp-1-Sublime Power Amplifier HiFi Bargains: Wattson Emerson ANALOG Streaming DAC In Barn for Review: Viva Solista Integrated Amplifier Twittering Machines Favorite Gear of 2023 ![]() In Barn for Review: GoldenEar T66 Tower Speakers In Barn for Review: Vivid Audio GIYA G3 Series 2 Qobuz Sessions at SXSW: Live Music from Yazmin Lacey, Daniel Villarreal, and Shana Cleveland! ![]() Expand the possibilities.Twittering Machines: A Year (of Reviews) in PicturesĪlbum of the Week: New Age Doom | There Is No End Anyhow, let me grant you lost without this. I even enjoyed the jazzy "Emily" by David Coz and the steaming Flamenco sounds of Ottmar Liebert's "2 The Night." This could, however, do without the image of slow running that the song "Chariots Of Fire" conjures. It then slows down again, and just as you think that it's going to perish into the next it starts up again. It starts out slow and then quickly builds momentum as the music rises higher and the singing grows more intent. Still, though, the queen of celtic music, Loreena McKennitt, lends Pure Moods 2 its durability to stay strong with the commonplace of "The Mumurs Dance" and also "The Mystic's Dream." Favorites to me include Enigma's "Beyond The Invisible," which for some reason reminds me of the movie Legend, and Yanni's offering of "Nightingale" which is quite possibly the loveliest song I've ever had the pleasure of hearing. They still keep in the mix older classics in the genre such as the ethereal "Theme From Harry's Game" by Clannad, "Weather Storm" by Craig Armstrong, and "Zarabanda (Sarabanda)" by Adiemus, but these new, fresh faces give this album an extra push towards higher greatness. This album has elements that the first had but also takes a new direction by leaping further into the threshold of reinvention. "This is quite different from the first by adding such euro-popped/electronic bands as Massive Attack's "Teardrop" and Delerium's "Euphoria (Firefly)," but I am hardly complaining. Despite its few warts, Pure Moods II is a good listen overall. It reaches back to 1983 to remind us of an ahead-of-its-time display of Celtic mysticism from Clannad ("Theme from Harry's Game"), and it both opens and closes with superb selections from one of the genre's most admired artists, Loreena McKennitt-very appropriate since, one could argue, discussions on the future of New Age should both begin and end with McKennitt's name. Happily, the 77-minute, 16-track sampler offers far more items of interest than irritation. This is not necessarily a bad thing yet a recording marketed to the general public as a comprehensive, current, state-of-the-art overview of atmospheric music shouldn't include such ill-fitting oddities as George Benson's "Breezin'," a lite-funk relic from 1976, or "Emily" from jazz saxophonist Dave Koz. ![]() Terry Wood « lessįor listeners with a sincere interest in the broad variety of music loosely aligned under the New Age banner, Pure Moods II will strike your ears as something less than a high-concept showcase for the genre and more as a mulligan stew of easy-listening favorites. more » ulligan stew of easy-listening favorites. For listeners with a sincere interest in the broad variety of music loosely aligned under the New Age banner, Pure Moods II will strike your ears as something less than a high-concept showcase for the genre and more as a m.
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